Cúrre (
hownkai) wrote in
thisavrou_log2016-08-16 09:06 pm
Entry tags:
- *event,
- agents of shield: daisy johnson,
- all about j: j,
- danger days killjoys: the girl,
- frozen: elsa,
- guilty gear: venom,
- mass effect: commander shepard,
- mass effect: nihlus kryik,
- mass effect: thane krios,
- metal gear: kazuhira miller,
- metal gear: solid snake,
- mushishi: ginko,
- original character: adrien arbuckal,
- overwatch: angela "mercy" ziegler,
- overwatch: fareeha "pharah" amari,
- overwatch: jesse mccree,
- overwatch: soldier 76,
- star wars: rey,
- transformers mtmte: riptide,
- tron: rinzler (crau),
- tron: yori (crau),
- undertale: mettaton,
- x-men movies: jean grey,
- x-men movies: peter maximoff
( august event log )
Who: Everyone
When: August 16th and on
Where: The Moira + the Luminous Sea
What: The original Captain and the First Mate try to find the closest Ingress for help. The crew ventures into the Luminous Sea.
Warnings: None for now. Please label your content!
When: August 16th and on
Where: The Moira + the Luminous Sea
What: The original Captain and the First Mate try to find the closest Ingress for help. The crew ventures into the Luminous Sea.
Warnings: None for now. Please label your content!
E V E N T L O G |
"Time is what we want most, but what we use worst."
☄ IN, OUT, AND ALL AROUND Needless to say, things are now a little… different on board thanks to the anomalies caused by the energy of the Luminous Sea. What once had been a simple journey using MPS to navigate your way around the ship has now become a risk in Location Roulette. Perhaps you’re simply planning to head to the library, but when you walk through the door, you’ve somehow ended up in the middle of the Mess Hall. Or you’re fresh from a nice, long shower only to find yourself in the middle of the Cargo Bay wearing nothing but your towel! It seems that the space inside the Moira has rearranged itself to make life interesting for the crew. The changes happen at random and aren’t guaranteed to work the same in reverse. Sometimes, a doorway will work to take you back the correct way, and other times, it might deposit you in yet another part of the ship you hadn’t intended to visit. Also, be wary of those areas of the ship that have been sealed for the protection of the crew and never go anywhere alone. Because nothing good ever came of walking through a door to suddenly end up outside the Moira or within the room that holds Ploiatos. ☄ 50 SHADES OF AGE While in the Luminous Sea, some members of the crew are likely to wake up and find themselves a changed person. Literally. The unstable nature of the energy that encompasses the Sea and its ability to bend both time and space means that those affected by it might find themselves suddenly years younger. Or even older. What’s more, some crew members who do become younger might possess no memories of have ever been on the ship and will see the Moira through brand new eyes. Those who find themselves jumping to a point further down their timeline won’t be affected as harshly, though they will be tarnished with age as time tends to do. What’s best for the new and old alike is to remain calm and continue on their daily routines until otherwise instructed by the Captain and First Mate. Hopefully leaving the Luminous Sea will wear away this reversal in time and return you to the person you once were. |


Agent Texas | Red vs Blue
Despite the strange goings-on and change in location, Tex keeps up her daily patrols in her armored robot, transferring her AI consciousness to it with a simple command. She always jumps back to her human form in time for evening activities such as socializing at the bar. There are a few people who know about this routine of hers, but most people think that when she's out and about in her armor, that she's strapped the armor onto her body—and why wouldn't they think that? She hasn't given anyone any reason to believe any differently.
As usual, Tex leaves her human body lying in bed that afternoon and goes out the bedroom door to patrol—only to find herself stepping out an airlock rather than out her door. By the time she's fully recovered her wits, she's already floating free, but she manages to engage the mag locks in her boots and stick herself to the side of the ship. Now it's only up to her to find a location which from the inside can be easily accessed. She starts walking along the hull. She doesn't know whether she's more likely to run into someone else in a similar predicament, or if she'll reach an airlock first, but sending a general ping to the network with an SOS is a priority at this point.
They're only where they are now regardless of their fight – [ Early runtime ]
When the Luminous Sea first alters her form, Tex doesn't know what's going on. In her thinking, she's just spontaneously split from the Alpha AI, and was in a closed system with him, not yet separated into two whole independent programs. Things were chaotic and confused, and she didn't even yet have a designation (since she hadn't been meant to exist), but she had been communicating with him and had not yet gone through the trauma of separation from him. She was a part of him that he created to protect himself from the stresses that he knew the Project was going to put him through. And she intended to carry out the operations he had intended for her to carry out.
At the same time, the human body that she was given upon her arrival here on the Moira aged down as well, to the form of an eight-year-old girl. She hasn't yet been programmed with the library of fighting moves the Director placed in her when he removed most of her memories. She's feisty, though, and she's confused and upset. She's lying in bed, waking up for the day, when this transformation takes place, and so she can do nothing but assume she can make use of the items she finds under the bed. She finds the red-haired doll that had been sent to her in the mail the previous month, but leaves it behind despite the pang it brings her. Instead she pulls out a gun and starts to rampage through the ship with it.
"Where's Alpha?" she demands as soon as she comes face-to-face with someone else on the ship, which may be sooner rather than later, considering the way the interior of the ship is shifting. "Where's the Director? Tell me what the hell is going on around here!"
(( tags for this prompt will include inline icons for bitty Tex ))
This one's for believing if only for it's sake – [ Late runtime ]
It's the next day when the energy transforms her yet again, her body appearing middle-aged and her consciousness left in a state she can only describe as weary. As she understands it from what she was taught about the AIs back at Freelancer, the fragments shouldn't ever reach a state of rampancy, yet there's something that she can't deny that's affecting her ability to process information. It's leaving her emotionally strung-out, and through she's not one to have a tendency to ruminate, she finds herself carrying that damn doll through the hallways, trying to make her way somewhere—the medbay, perhaps?—and mumbling the stages of rampancy to herself. "Melancholia, anger, jealousy," she mutters, then again and again, and—this has to be the affect of being installed in a human body. Nothing else makes sense. The neural paths are worn down or something. She turns, but the shifting of the hallways and living areas of the ship aren't helping her any—she's utterly lost.
Of course, as soon as she sees someone else she drops the doll and pushes her hand through her hair and tries to put on a sane demeanor. "I'm fine," she volunteers before she is asked.
Come on friends get up now love is to be made – [ Wildcard ]
(( feel free to contact me via plurk (
Hull
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Was this the ship's doing or did you mean to take a spacewalk?
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[ She's not going to attribute this as being 'the ship's doing' since she prefers not to think of the ship as sentient in any capacity. Though she also knows it's possible this is simple denial, at this point. ]
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[She nods her head at Tex's armor, impressed with the face that it's space-cabaple first and foremost.] Do you work in space?
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I do.
[ Any further conversation will have to take place as Tex is walking back toward the living quarters section of the ship. ]
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What kind of work, if you don't mind my asking? Space was a limited venture in my world.
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Early Run Time
When he woke up this morning, Adrien had definitely thought to himself 'I need to be on the look out for eight year olds with guns'. It had been his second thought, right after coffee.
No, no it really hadn't been and in fact, his immediate thoughts on the moment were what the fuck, a phrase that had been going through his head quite a few times today. Holding his hands lightly to the side, in a non-threatening gesture, he eyed the gun and then looked at the child holding it.
Alpha. Why should that ring a bell? ]
I don't have an answer about the Direct right at the moment. But I'm curious about what you're doing with that gun?
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I'm trying to get some answers.
[ She steadies the gun in her hands. Whatever she's been programmed with knows how to observe trigger discipline, so at least she isn't fingering the trigger as she points the gun in his direction. He doesn't seem to be someone who can help her in the immediate future, but perhaps he can lead her to someone who can. ]
Only the Director could have gotten me out of the system.
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Someone else, just about anyone else, would have probably continued to try to talk to the child. Ease into her confidence and diffuse the situation with words. Adrien was shit at words and she had a loaded gun.
If Tex was watching closely, she might notice his thumb move to flick against that blue enamel ring he always wore. A breath after that motion, he moved quickly, taking whatever action was necessary to attempt to grab the gun away from her. ]
Give me that, before you hurt someone.
[ If she pulled the trigger, the bullet would bounce harmlessly away from him. ]
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I'm only going to hurt anyone who deserves it.
[ But she's not pointing the gun at him now—now she's in a defensive posture, prepared to tussle with him in a physical confrontation. ]
Tell me where I am and who you are.
[ He said he couldn't give her any information on the whereabouts of the Director—does this mean something's happened to him? ]
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As Tex had been moving to avoid him, re-positioning herself, a sleek form had slipped around to flank her. Courser wasn't cruel but he was quick and his jaws were shark like when they reached to grab that arm with the gun. ]
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But for moment, all he could see was an eight year old with a gun and all he could hear was the orders laid down by the Captains about them shooting one another. Accident or not. ]
Sorry. [ He offered as he stepped forward to retrieve the gun, immediately ensuring the safety before moving to unload it. Simultaneously, Courser released the child and moved back. ]
There is no Director here. Only Captain Ira and First Mate Egan. You're on a ship called the Moira.
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How did I get here? I should be on the Mother of Invention.
[ That was not even to mention her being placed in a body, somehow, and a childlike body at that. ]
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You can have the firing pin and ammunition back when you're not inclined to go around holding other crew members at gunpoint. They're very strict on the subject of us harming one another and you're risking getting locked up or kicked off on the next planet if that trigger goes off.
[ She might be a fully formed AI with 'adult' qualities, just placed in a child's body but Adrien wasn't taking any chances. ]
You got here the same way the rest of the crew got here. We were taken through a device called the Ingress. There was no deliberate rhyme or reason to why we were taken so don't ask, I have no answer for that.
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late runtime
She doesn't think twice about it when she scans the halls and spots what looks to be an older Agent Texas. At least, not at first. Not until she catches what it is that Texas is muttering to herself does Cortana's attention flit back with a jolt. Melancholia, anger, jealousy... The words all grouped together like that are eerily familiar. Those... Those are side effects of rampancy. Those are feelings she knows well and has had strike her in quick succession. It's probably just coincidence that they're being listed off together, but the AI is curious enough to look into it.
"Agent Texas, correct?" She asks, blue hologram flickering to life just a bit down the hall from where Texas is currently. A calm demeanour is what she aims for, but she can't disguise the edge of concern, nor the flicker of nervousness that settle in to her tone and expression. Brow furrowing, Cortana gives the soldier a long look before she goes on without waiting for an answer. "I don't mean to interrupt, but you seem... unwell. Can I get you some assistance?"
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"Texas," she affirms quietly, tilting her head a little. "What kind of assistance do you think I need?"
It's a sincere question. She can't figure out what to do about the racing thoughts, the hopelessness, the sheer discomfort that she has from being so unable to control her attitude or her behavior. Not that she's always the most reserved person, by any means, but when she decides to do something, she typically gives it her all to carry through with her decision. But right now? Nothing really seems to matter. Which is what bothers her most of all.
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"Those words you were repeating... Can I ask why you're so focused on them?" Is she aware of anything about rampancy? Aware that those are some of the side-effects? Or is this all just some bizarre coincidence? The AI is almost painfully curious, just as she's concerned for Texas' well-being. "Why are they so important to you right now?"
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"Funny, the things you learn about someone when you least expect to," she comments after a moment, an attempt at lightening the mood, though her voice is quiet and not all that light. Allowing her expression to slip from whatever remained of professional neutrality, concern takes over fully, dashed with hints of understanding and, possibly, fear. "I couldn't tell you what might happen to your body. However, I can tell you that rampancy doesn't happen all at once--it's unlikely that you'll be in this state long enough for you to reach death."
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