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[personal profile] impulsereader
or at least that's what I'm telling myself.

I am still struggling with Sherlock's parents and this scene. I have given a great deal of consideration to the idea that since I am struggling so mightily I should simply drop it and move on, but I really think it needs to be there.

So, I adopted the view - THROW A GRENADE AT IT - and promptly discovered that my brain is completely capable of taking absolutely anything literally. It gave Sherlock's father a live grenade to play with.

I don't even know.

But - it sort of seems to be working.

So - this is teaching me something. Up until now writing has been all sunshine and roses and happy magical typing which somehow produces funny and interesting things which I enjoy reading, and which at least a few other people also enjoy reading (thank you all, by the way) - fantastic.

Now I'm learning what to do when the typing isn't quite as magical as I might like it to be. It means I'm writing long hand for the very first time (oh gosh, I just remembered and had to modify - for the first time since high school when I was unknowingly writing ST:TNG fic during class [before the internet, or at least my being on it - biggest mary sue ever - seriously, ever]). Somehow this scene makes my eyes skitter away from the monitor when I try to get to work, so pen and paper work better. I'm also spending a lot of time writing out a lot of the same sort of thing over and over - but just slightly differently - as I work out what this needs to look like.

So I'm learning and becoming a better writer. This is the positive thing to focus on as I wrestle this scene into existence. I'm also learning by being forced to think more about the characters of Sherlock's parents instead of allowing them to remain cardboard cut-outs which will serve no purpose other than to trip up Sherlock emotionally. Oh, and to give myself a moment of indulgent praise - I am not hiding from the fact that I need to work on this - I haven't gone haring off to write other things which would be much more fun to work on instead - which I am perfectly capable of doing - but I haven't! This is very encouraging. The end is in sight and I will finish this section so that I can move on to the much more entertaining Baker Street Interludes!

Date: 2012-07-22 08:45 am (UTC)
From: [identity profile] quarryquest.livejournal.com
Did you do what I suggested?

Date: 2012-07-22 06:09 pm (UTC)
From: [identity profile] impulsereader.livejournal.com
I haven't actually finished it yet, it's still taking shape - extremely slowly. But what I very much think is going to happen is that I'm going to play the scene with Sherlock's father dominating with mental manipulation and John countering it as best he can - and then your suggestion is the zinger we exit on. This way it plays as a fact that everyone but John is well aware of - very much 'the elephant in the room' if you look back, and then an effective final reveal of, 'oh, that's what this was all about - that's what every conversation this family has is actually about'. bugger.'

Date: 2012-07-22 06:20 pm (UTC)
From: [identity profile] quarryquest.livejournal.com
Glad I could be of use!

Date: 2012-07-22 06:28 pm (UTC)
From: [identity profile] impulsereader.livejournal.com
Absolutely. Thank you for the input. If there's one thing I'm learning, it's that lots of possibilities swirling around in my brain tend to fit themselves together into something that transcends anything I had expected or planned.

I'm currently watching Julie Walters on Graham Norton and really thinking I need to fangirl her and look her up on Netflix.

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